Research
My research weaves together two deeply interrelated strands of inquiry — geometric motion and perceptual experience — each reflecting a fascination with structure, light, and symmetry. At its core lies an exploration of how form and phenomenon intersect, revealing hidden harmonies in both physical and visual realms.
In 3-Dimensional Moiré Patterns, I explore how tensegrity-inspired dipolygonoid structures — based on Platonic solids — can generate self-similar interference when overlaid with periodic or quasi-periodic grids. By rotating and translating identical grids on each polygonal face, these forms yield moiré patterns that exist not just in flat space but in three dimensions, creating nested, scale-independent symmetries. Colour Perception investigates how light and hue shape our experience of structure. I use both sculptural and digital experiments — for instance, a hand-milled acrylic cone inspired by the shape of retinal photoreceptors — to study how splitting white light, subsurface scattering, and wavelength-dependent reflectance can give cues to depth, curvature, and spatiality.
These lines of inquiry form the heart of my interdisciplinary practice: I bridge conceptual geometry and perceptual science to create kinetic, luminous systems where form and colour converge — inviting the viewer into a dialogue between structure, motion, and sensation.